22 PISTEPIRKKO

We started this band more than 40 years ago.
In Utajärvi & Muhos villages.
Punkrock hit us and gave a clearest path to follow.
Ever since it has been quite easy.
Move to town,
Be in a band and work for it.
We have been blessed with good amount of luck
to meet many many people
Who have helped us, coming to see us play
or buy our records during these decades.
THANK YOU.

7 years ago we needed a holiday.
22-p had become a chain gang boxing ring.
Now we’re back in the saddle.
BUT, with new principles.
We 3 also need to do other things outside this trio.
To stay focused to beautiful side of this universe.

Sleep Good, Rock Well

LIGHT IN BABYLON

Copyrights: Light in Babylon

Praised by fRoots Magazine as “A celebration of the cosmopolitan traditions of both Istanbul and the Sephardic Jewish community and another example of the great music that is coming out of the Eastern Mediterranean right now”, Light in Babylon brought to the world scene their first official album “Life sometimes doesn’t give you space” in 2012 and on November 2016 their new second album “Yeni Dunya” (which means in Turkish – New World)

Their project is the fusion of different ethnicities and cultures, the singer is Israeli from Iranian origin, the santur player is Turkish the guitarist is French and they cooperate with musicians from different origin as well (Turkish, English and more). With the strength and openness of their youth and the various musical influences they have, they intuitively created a original colourful blend of their inner voices with flavours that would carry the imagination on a travel trough the Middle east and beyond.

LATURB

Copyright: Laturb

Laturb ist eine hoch emotionale Achterbahnfahrt durch dunkelbunte Glitzerwelten // mit Anarchie und Apfelsaft im Gepäck, Goldfisch und Granaten // zwischen New Wave, Synthpop, Punk & Performance.

2019 aus dem Anarcho-Hexenkessel des legendären „Mafia“-Varietés an der Bremer Schaulust entsprungen. Premiere im März 2020 in der Schwankhalle Bremen. Weitere Konzerte u.a. Theater Bremen, United We Stream, Schanzenzelt Hamburg, sowie Support für Erregung öffentlicher Erregung und Muff Potter. Erfolgreiche Startnextkampagne im März 2021.

Live bietet Laturb eine synthhaft gute Musik-Performance-Show, die voller Überraschungen in eine dunkelbunte Glitzerwelt entführt. In einer wilden Achterbahnfahrt treffen hier 80er Synthesizer auf knackige Beats, punkige Gitarren auf Panflöten, Rap-Passagen und catchy Refrains. Dazu regnet es Glückskekse und wie aus dem Nichts tauchen skurrile Gestalten auf, um kurz darauf wieder in der Dunkelheit zu verschwinden. Das ist mal witzig, mal ernst, politisch und trashig, cool und berührend, laut und leise – zum Träumen, Tanzen, Toben!

DR. UMWUCHTS TANZPALAST

Von Manu Chao bis Extrawelt, Sophie Hunger bis Rainald Grebe, The Do bis Ray Charles beeinflusst, ist das Bamberger Sextett Dr. Umwuchts Tanzpalast mindestens genauso viel Sozialexperiment wie Band. Die Gruppe ist Musik-, Reise-, Lust- und Diskursgemeinschaft: Sechs Menschen – acht Meinungen.

Dr. Umwuchts Tanzpalast fällt durch einen eigentümlichen Stilmix auf: aus dem Leben erzählende, deutschsprachige Singer-Songwriter-Stücke, die sich nicht einfangen lassen, die unberechenbar bleiben, die in 4-to-the-floor Diskoparts überschwenken oder bei Swing-Punk-Finals landen. Stücke, die es irgendwie schaffen, Kontrabass mit Synthesizer, Sampler und Saxophon zu versöhnen und die es sich nicht nehmen lassen, im jazzigen Offbeat im Zwei-Viertel-Takt tanzen zu gehen. Denn tanzen müssen wir.

“Trotz all der Widrigkeiten” sind die ersten Worte auf dem neuen Album Im Zentrum der Wirklichkeit, das im Mai 2022 erschien. Die letzten vier Jahre haben viel verändert. Denn wie überall häuften sich auch in der Band persönliche Höhen und Tiefen: Kündigungen und neue Jobs, Trennungen und neue Beziehungen, Geburten, Trauerfälle, Renovierungen, Abrisse, Depressionen und Liebeserklärungen. Und so entstand Im Zentrum der Wirklichkeit als kreative Trotzreaktion auf eine Phase krisenhafter Umbrüche, das freilich anders klingt als Freizeit als Beruf (2018), aber dennoch unverwechselbar ein Umwucht-Album ist. Die Tragik benennen, ohne sich die Komik nehmen zu lassen, das ist es, worum es auf diesem Album geht.

 

EVELINN TROUBLE

copyright: Noelle Guidon

Was tun? Wenn das Herz sticht & die Seele zittert? Wenn die Tage ein bisschen zu schwer und dunkel sind? Manche von uns suchen Trost in den Drogen, bei Netflix, oder bei einer Religion. Und manche von uns suchen Trost in der Musik. Und wenn wir dort suchen, dann gibt es wenige Künstler*Innen die einen so auffangen können wie Evelinn Trouble. Ihre unverkennbare Stimme hat die Fähigkeit, einen zu umarmen und unmittelbar eine kathartische Erfahrung auszulösen. Ihre Songs sind sanfte Botschaften an die verlorenen Seelen; «Ich weiss, wie du dich fühlst und glaub mir, es wird vorübergehen.» Und ihre Songs können sich zusammenbrauen wie ein Gewitter und aufbäumen wie ein Drache: Weckrufe, getragen von Trouble’s manischem Ausdruck, spielerisch und furchterregend zugleich. Ein Phänomen, das man sich am besten live reinzieht, wenn sie mit ihrer all-female Band auf der Bühne steht.

 

Als Tochter einer Jazzsängerin lernte sie ihren ersten Standard («Black Coffee») noch bevor sie laufen konnte und war fortan der universalen Macht von Songs erlegen. Suchte als rebellischer Teenager ihre eigene Stimme in lauten Grunge und Rockbands, spielte und lebte in den besetzten Häusern ihrer damaligen Heimatstadt Zürich. Ein Ort, den sie früh verliess, um als Nomadin für ihre Musik zu leben. Wechselte ihren Wohnort (&ihre Haarfarbe) so oft, wie andere Leute die Socken wechseln und nutzte ihr Songwriting als Anker; ein Logbuch in rastlosen Reisen. In weniger als einem Jahrzehnt hat Trouble fünf Alben und vier EP’s produziert, mit unzähligen Musikstilen experimentiert und auf diesem Weg ein riesiges Klanguniversum mit einer loyalen Fanbase geschaffen. Vom Industrial-Rock bishin zur verträumten Piano-Ballade, von ihrer psychdelischen Phase bis zu ihrem hip-hop-gefärbten Art-Pop: keine zwei Releases in ihrem Katalog sind sich gleich. Trouble war schon immer ein Shape-Shifter, eine genre-fluide Musikerin und ihre Fans schätzen es, von ihr überrascht zu werden. Welche Stadt oder welcher Sound als nächstes kommt, weiss niemand. Und trotzdem erkennt man Trouble immer wieder. Vielleicht findet sich genau darin der Trost.

 

 

MILLIE MANDERS AND THE SHUTUP

copyright: Millie Manders

Millie Manders and The Shutup create cross-genre punk that is hard to ignore. With lyricism that pokes fun, draws you in or leaves you questioning social norms teamed with incredible vocal dexterity, grinding guitars, irresistible horn hooks and a pumping rhythm section, the Millie Manders Music Machine churns out more raw punk fusion than you can shake a stick at, with a huge amount of Pop appeal.

 

SUN

Copyrights: Karoline Rose

SUN is a French singer, songwriter, guitarist and movie actress. She created a genre she calls « Brutal Pop » : Pop with elements of Rock and Metal. SUN started out screaming and shredding in Death Metal bands on one side, belting and dancing in musicals on the other: she played the character of Edith Piaf in France, South Korea, Japan and got recognized on The Voice France. She came 2nd at the selections of Eurovision with an original song.
Her unique vocal and acting skills led her to work with the best stage directors. She toured as an actress, singer and guitarist in national theaters, playing her music with her drummer on stage, and raised the attention of the press at the most prestigious theatre festival, Festival d’Avignon, which led her to the big screen.

Her first part in a movie is a leading role in « Tom Medina » by Tony Gatlif, who won the prize for best director in Cannes Festival 2004. Her character is inspired by herself: in the movie she acts, sings her own songs and plays her sparkly Telecaster. She also wrote five tracks of the soundtrack. The movie was selected at the Cannes Film Festival 2021, and SUN gave a show on the beach before the screening, alongside with Nicolas Reyes (Gipsy Kings).

SUN is currently working with Andrew Scheps (Adèle, Beyoncé, RHCP, U2, Metallica, winner of 3 Grammy Awards) on her second EP « Brutal Pop II ».

In September 2021 she is awarded the Grand Prize by le FAIR, the most important French prize for Rock & Pop Music.

 

SKYE WALLACE

Copyright: Oliver Mann

With her skill in carving melodies and shreddable moments from rock foundations, songwriter Skye Wallace is an expert at proving herself in every room, at every turn. Wallace knows the way is paved with second-guessers, and encounters with unsolicited advisors are plentiful in this world. In truth, the harshest critic is usually within.
Shaped by an upbringing of constant motion, with collapse and rebuilding at the core, Wallace is at home with the idea that change, especially in oneself, is a constant. This truism has shaped her new songs, finished during lockdown but dealing with a time when staying in one place was
wishful thinking. For Wallace, there’s both comfort and conflict in remembering and reconciling the versions of herself formed at the many stops along the way.
Wallace’s breakout single, about the frustrations of fighting against the glass ceiling, made a statement by cracking the Canadian alternative radio chart. Early credentials, including a Globe and Mail “Best 4 Canadian Albums in the World” nod in 2019, a steady stream of shows with
powerhouse rockers like Crown Lands and Matt Mays and a deal with Six Shooter Records, have Wallace ready for what’s next.

 

 

KOMFORTRAUSCHEN

Copyright: Caren Pauli
Step into the darkness. Can you taste the sweat-filled air? Can you stand the pressing heat? The driving energy grips you in a deadly embrace. Let the rhythm absorb you, your blood turn to oil. You become part of the machine, the machine that is driven by the motor of Komfortrauschen. Three precision-obsessed control freaks that have honed their craft to a German industrial perfection. An uncompromised sound welded together from propelling drums, deep unrepentant bass lines and a searing guitar that bites through like acid. They convert their mechanical energy into hedonistic live techno that is impossible to resist. Only thing is, there is no emergency stop!
Komfortrauschen is a live band from Berlin that creates the powerful sound of a techno DJ set in their very own analogue fashion with traditional instruments, filtered through an impressive array of pedals and effects. Imagine a punk band trapped inside a drum computer, the Prodigy being a Berghain resident, Richie Hawtin meets Rammstein. The pure ecstasy and machine accuracy of techno enriched with the fresh energy and playfulness of a live band. Since the band was formed in 2014, Komfortrauschen have played regularly in famous German clubs like Sisyphos, Kantine am Berghain and Kater Blau as well as all over Europe and beyond. Now they’re about to hit the stages worldwide!

BLACK WATER COUNTY

Copyright: Marianne Harris

Over the past eight years of playing music together, we’ve grown up through angsty teenage years into angstier adulthood, with only our music to reflect our hurdles and triumphs. On the days where the world seemed to be raging on indifferently or responsibilities came banging at our doors, we took solace amongst the singing, sweating people in front of us on a Friday night with that 10ft by 6ft space beneath our feet becoming our sanctuary.

In 2017 we independently released ‘Taking Chances’ with a sold out launch show at Mr Kyps and embarked on our first self-booked UK tour. After signing with booking agency Midnight Mango in 2018 we’ve had three extensive UK headline tours as well as supports on the tours of a plethora of inspirational artists. Our second album ‘Comedies and Tragedies’ was released on March 13th 2020 with another sold out show at The Old Firestation in Bournemouth, however, the promotional UK tour was halted as soon as the pandemic hit.If our first album, ‘Taking Chances’, is a post-university tale of early twenties life; refusing to conform and rebelling against anything that stands in the way of a good time, then consider ‘Comedies and Tragedies’ to be a reality check sequel; rife with confusion, uncertainty and the struggles of self-identity.

When creating music over the years, it has become integral for us to acknowledge not only a balance between guts and contemplation, but a harmony of punchy pop-punk guitar and hard-hitting drums with the complex but determined layers of banjo, mandolin and tin whistle intertwined. With this we strive to pay homage to our appreciation of folk music and the significance of punk throughout our upbringings.

In both 2016 and 2018, we won our place on Fireball’s ‘Fuelling the Fire Tour’ supporting Less Than Jake, Flogging Molly, The Bronx, The Skints and Face to Face. We then subsequently had an endorsement from Fireball UK in 2019 and featured in Kerrang!’s online coverage of the tour. We also appeared on BBC radio Solent with our single ‘Rise and Fall’ on March 10th 2018.